Line expresses the movement and rhythm of energy, and through the extension of this line, form is created. My primary sculptural concerns are what I call linear form; that is, the integration of line with, on, and in form.  The result is the following:  line as form, form as line, and the effect and interaction of line and form on each other.  

What I see and feel in glass are the essential internal and external qualities of the medium itself; how it reacts to line and form while being affected by space, light , color movement, texture, etc.  Its qualities are as life; not alone physical-external, but equally, if not more so, spiritual-internal.  It is what is inside the glass.  Those absorptive, reflective, refractive, transparent, depth-oriented qualities that, when made visual, communicate through line and form what I see and feel and what the medium is. 
The external simplicity becomes complex with internal examination.  As the line and form intersect within the piece, they become the piece.  The medium can seduce the on-looker itself: the edges of the arcs draw the looker into the line, the form, with the movement of the on-looker, changing within the medium.  The piece becomes the ambiance and envelopes that which it should not.